Here's part of the most recent update on the website for the Jeunes-France / Bouzingo Researh Project (also administrated by me, and overlapping much with the Liberté project) can work also as an update on this project--in particular the Liberté/Romanticist avant-garde exhibition which will go up this weekend at the Liminal Gallery in Roanoke, VA.
If you're not familiar with that site, it's full of a ton of fascinating information on several obscure subcultures, unfortunately in a fairly disorganized tangle.
Here's that update, please excuse the redundancies:
Here's that update, please excuse the redundancies:
Although the last update was over a year ago, progress in this project has not been stopped; on the contrary, there has been so much activity that there has been no time for an update. Most of you who have been following or contributing to the project have been privy to his activity, so I shan’t spend much time going over it again. So onward with several current updates:
- Finally—and also related to the Liberté project—I am currently hanging an exhibition of drawings, prints, and books from my micro-Archive of 19th Century Counterculture at the Liminal Gallery, CHS’s art space in Roanoke, VA. This will include original drawings and prints by Achille Devéria, Célestin Nanteuil, Napoleon Tom, Paul Gavarni, and Gustave Doré, and over 30 books by the 19th Century avant-garde, some available for perusal (when their condition allows). There will also be a mini-library of more than 100 recent books and translations of counter-cultural work from 19th Century France, for use by students and gallery visitors. I am currently producing wall-placards with contextual material about the work exhibited and about the role of archiving and historiography within underground traditions, and an extensive exhibition catalog. (For an idea of what will be included, see the ‘Physical Archive’ tab above; the page is roughly 90% up-to-date, though not everything listed there will be included in the show.)
- The exhibition will run from Nov. 14-Dec. 21, with a costume opening Dec. 7 to which attendees are invited to become Classicists or Romanticists, and heckle each others’ poetic and dramatic readings. It is rumoured that a bust of Racine might be danced around. Other lectures and discussions will be held in the gallery during its run, including a storytelling-lecture on avant-garde Romanticism, lecture/discussion on Fourier and underground organising, and share-and-tell of both the visual work and the books displayed.
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